Tuesday, October 14, 2008

Laughter Reviews #21

THE ACCIDENTAL DEMONSLAYER
ANGIE FOX
PARANORMAL COMEDY

Premise
Orphaned preschool teacher is reunited with her Harley-riding grandmother on the eve fo her 30th birthday and learns she must save a biker coven with her unsuspected demon-battling powers.

Cover
Eye-catching and attractive in color and graphics. Gives a pretty good idea of what to expect from content.


What Works
There were many original elements to this story. Apprentice Writer can honestly say she has never encountered a griffin shapeshifter hero, a septugenarian biker coven,or a talking dog (child-oriented movies excepted) before. There is a lot going on in terms of how many types of characters are packed in a short space of time, ensuring fast pace and low chance of reader becoming bored.
Those are good things. Yet AW couldn't help but wish that these new-to-her topics could have been explored a little more. The mythical beast shapeshifter hero was intriguing, but there no exploration of how his dual nature impacted on the relationship, with the heroine interacting with (and annoyed by) him solely in his human form and almost no use made of the fact that he could fly. The concept of a Harley-riding coven relying heavily on roadkill and drawn to a casino river-boat was unique, but there was no backstory on how it developed nor the almost exclusive female focus, with but a single male coven member and no mention of or curiosity about, for example, the heroine's grandfather (as might be a logical question with the sudden appearance in one's life of a never-before-met grandmother). There was no plot opportunity to find if the heroine could hear other animals speak, or whether other people heard her dog too.
Much of this was no doubt for the sake of maintaining fast pace. Maybe curiosity will be satisfied in future stories.


What Doesn't
Over and over, the characters act and react in puzzling ways that threw this reader off. This is most pronounced with the heroine, who tolerates being ripped from her life and tossed into extreme situations by a grandmother who gives her very little information to work with and never explains why she's been absent all these decades. Perhaps Lizzie's acquiesence, to her grandmother and the belligerent and at times outright physcially abusive behaviour of her biker friends, can be explained by the psychology of a person with abandonment issues who suddenly finds a family member. But her pattern of accepting poor treatment from the grandmother and then indulging in negative overreaction to the hero's supposed faults (as though giving him the dose her grandmother deserves as well as his own) grew tedious. It reached martyr complex level in a scene where she chastises herself for failing her grandmother who "...had shown her nothing but honesty and respect." No, actually. She showed neither, and Lizzie's inability/refusal to recognize this made the story clunky.

To be fair, matters improve a little towards the end of the book. For this reader's taste, it took too long to get there.


Overall
This debut author writes with verve and imagination. It will be interesting to see what she comes upwith next, especially in the publicity department. Who could resist finding out their own personal biker name at the author's website? Certainly not AW, who wears her moniker Spaghetti Neck Stella Wheeliegig with pride.


But does it make you laugh? YES (with qualifiers)
Much of the humor seems to center on roadkill and the hygiene/fashion-challenged nature of the coven. A little of that goes a long way. Due to the mismatch between expected character reactions and how they really react, some of the humor may also not have struck as intensely as might otherwise have be the case. But the parts that worked well were very enjoyable, mostly from the 'fish out of water' angle of a straight-laced, slightly obsessive-compulsive preschool teacher forced to deal with mile-a-minute new paranormal challenges to her concept of reality. At one point she wonders, not even sarcastically,

Did he know of another hideoutnearby? If werewolves ran Shoney's,

perhaps a dragon BBQjoint would be just the spot, or maybe a

Denny's run by leprechauns.I'd even be open to a mermaid water

park. "Where in the world of weird creatures are youtaking me?"

"Motel 6."

The hight point of the story may have been the depiction of hell. The scenes of final confrontation with the fifth-level demon, while rescuring someone from the second level of hell (AW kept waiting for an elevator joke) were highly creative, and the demon, a sort of world-weary mad scientist, gets the best line.

Did Apprentice Writer laugh as much as promised by cover blurbs? No, but she will read this author again to enjoy the sheer richness of imagination.




Friday, October 3, 2008

Triple Tag

It is Banned Books Week, during which the American Library Association draws attention to the issues of literary freedom and censorship by publishing their annual list of the ten books that drew most complaints during the past year, and the hundred books that drew the most complaints ever. Complaints of American origin, ApprenticeWriter presumes; it would be interesting to know if the Canadian Library Association maintains such a list, and whether it has different books on it (note to self: find out).



Apprentice Writer has been tagged by cyberfriends Ciara (of 'Ciara Stewart', http://www.ciaralira.wordpress.com/) and Thea (of 'The Book Smugglers', http://www.thebooksmugglers.blogspot.com/)



Books Apprentice Writer has read in red:



1. Scary Stories (Series) by Alvin Schwartz

2. Daddy’s Roommate by Michael Willhoite

3. I Know Why the Caged Bird Sings by Maya Angelou

4. The Chocolate War by Robert Cormier

5. The Adventures of Huckleberry Finn by Mark Twain

6. Of Mice and Men by John Steinbeck

7. Harry Potter (Series) by J.K. Rowling (enjoyed very much)

8. Forever by Judy Blume

9. Bridge to Terabithia by Katherine Paterson

10. Alice (Series) by Phyllis Reynolds Naylor

11. Heather Has Two Mommies by Leslea Newman

12. My Brother Sam is Dead by James Lincoln Collier and Christopher Collier

13. The Catcher in the Rye by J.D. Salinger (didn't care for it)

14. The Giver by Lois Lowry

15. It’s Perfectly Normal by Robie Harris

16. Goosebumps (Series) by R.L. Stine

17. A Day No Pigs Would Die by Robert Newton Peck

18. The Color Purple by Alice Walker

19. Sex by Madonna

20. Earth’s Children (Series) by Jean M. Auel (liked the 1st, not the 2nd, stopped there)

21. The Great Gilly Hopkins by Katherine Paterson

22. A Wrinkle in Time by Madeleine L’Engle (excellent)

23. Go Ask Alice by Anonymous

24. Fallen Angels by Walter Dean Myers

25. In the Night Kitchen by Maurice Sendak (charming picture book; why in the world is it banned???)

26. The Stupids (Series) by Harry Allard

27. The Witches by Roald Dahl

28. The New Joy of Gay Sex by Charles Silverstein

29. Anastasia Krupnik (Series) by Lois Lowry

30. The Goats by Brock Cole

31. Kaffir Boy by Mark Mathabane

32. Blubber by Judy Blume

33. Killing Mr. Griffin by Lois Duncan

34. Halloween ABC by Eve Merriam

35. We All Fall Down by Robert Cormier

36. Final Exit by Derek Humphry

37. The Handmaid’s Tale by Margaret Atwood (sobering, intelligent dystopia)

38. Julie of the Wolves by Jean Craighead George (recommended with age qualification)

39. The Bluest Eye by Toni Morrison

40. What’s Happening to my Body? Book for Girls: A Growing-Up Guide for Parents & Daughters by Lynda Madaras

41. To Kill a Mockingbird by Harper Lee

42. Beloved by Toni Morrison

43. The Outsiders by S.E. Hinton

44. The Pigman by Paul Zindel

45. Bumps in the Night by Harry Allard

46. Deenie by Judy Blume

47. Flowers for Algernon by Daniel Keyes

48. Annie on my Mind by Nancy Garden

49. The Boy Who Lost His Face by Louis Sachar

50. Cross Your Fingers, Spit in Your Hat by Alvin Schwartz

51. A Light in the Attic by Shel Silverstein

52. Brave New World by Aldous Huxley (depressing dystopia)

53. Sleeping Beauty Trilogy by A.N. Roquelaure (Anne Rice)

54. Asking About Sex and Growing Up by Joanna Cole

55. Cujo by Stephen King

56. James and the Giant Peach by Roald Dahl

57. The Anarchist Cookbook by William Powell

58. Boys and Sex by Wardell Pomeroy

59. Ordinary People by Judith Guest

60. American Psycho by Bret Easton Ellis

61. What’s Happening to my Body? Book for Boys: A Growing-Up Guide for Parents & Sons by Lynda Madaras

62. Are You There, God? It’s Me, Margaret by Judy Blume (recommended)

63. Crazy Lady by Jane Conly

64. Athletic Shorts by Chris Crutcher

65. Fade by Robert Cormier

66. Guess What? by Mem Fox

67. The House of Spirits by Isabel Allende

68. The Face on the Milk Carton by Caroline Cooney

69. Slaughterhouse-Five by Kurt Vonnegut

70. Lord of the Flies by William Golding

71. Native Son by Richard Wright

72. Women on Top: How Real Life Has Changed Women’s Fantasies by Nancy Friday

73. Curses, Hexes and Spells by Daniel Cohen

74. Jack by A.M. Homes

75. Bless Me, Ultima by Rudolfo A. Anaya

76. Where Did I Come From? by Peter Mayle

77. Carrie by Stephen King

78. Tiger Eyes by Judy Blume

79. On My Honor by Marion Dane Bauer

80. Arizona Kid by Ron Koertge

81. Family Secrets by Norma Klein

82. Mommy Laid An Egg by Babette Cole

83. The Dead Zone by Stephen King

84. The Adventures of Tom Sawyer by Mark Twain

85. Song of Solomon by Toni Morrison (complex, fascinating)

86. Always Running by Luis Rodriguez

87. Private Parts by Howard Stern

88. Where’s Waldo? by Martin Hanford (delightful time waster; why in the world banned??)

89. Summer of My German Soldier by Bette Greene

90. Little Black Sambo by Helen Bannerman

91. Pillars of the Earth by Ken Follett

92. Running Loose by Chris Crutcher

93. Sex Education by Jenny Davis

94. The Drowning of Stephen Jones by Bette Greene

95. Girls and Sex by Wardell Pomeroy

96. How to Eat Fried Worms by Thomas Rockwell

97. View from the Cherry Tree by Willo Davis Roberts

98. The Headless Cupid by Zilpha Keatley Snyder

99. The Terrorist by Caroline Cooney

100. Jump Ship to Freedom by James Lincoln Collier and Christopher Collier


And way back in September, cyberfriend Julia (of 'A Piece of My Mind', http://www.julia-mindovermatter.blogspot.com/) tagged AW for a husband meme. Gentle Reader, all you ever wanted to know about Mr. Apprentice Writer:



1. Who said "I love you!" first?
AW is embarrassed to say she can't remember. Somebody must have said it to someone because we celebrated our 2oth anniversary this February.

2.Who does the dishes?
AW does the lion's share due to being in strategic range of where dishes are dirtied more, but in the evening it's whoever isn't the person putting the juniors in the tub.

3. Who pays the bills?
Mr. AW. AW is hopeless with numbers and money. Sigh.

4. Who sleeps on the right side of the bed?
Right now, that would be junior apprencite writer #3. Whenever a junior came along, Mr. AW departed due to his worry that he might accidentally roll on the baby in the night

5. Who cooks dinner?
AW cooks more often (again, by virtue of spending more time in fridge- and stovetop vicinity) but Mr. AW cooks with more passion. One of his fantasies is to attend one of those month-long cooking classes in the middle of an olive grove in Tuscany. AW on the other hand cooks because she lives with hungry men, but by nature she is more of a baker.

6. Who drives when you're both in the car?
Both, unless it's at night. AW has terrible night vision.

7. Who proposed?
Mr. AW, by presenting AW with a self-created abstract painting rather than a ring. AW was wildly impressed with this evidence of artistic talent and sensitivity. The fact that it was false advertising is gradually dawning on her as he has produced zero paintings since.

8. Who has more siblings?
AW is the eldest of two. Mr. AW is the second of four boys. So, at 3 juniors, we are exactly in between what we grew up with.

9. Who wears the pants?
We both think we do!


Whoever wants to play along - Tag, you're it!

Wednesday, October 1, 2008

EXPERIMENT: The Big H, Report #2

Time periods and opening hooks, united again:


REGENCY

"The gale roared like a wild beast."
Diane Gaston, 'The Vanishing Vicountess'

"Leaning one broad shoulder against the wall, Hal Waterman exchanged an amused glance..."
Julia Justiss, 'A Most Unconventional Match'


RESTORATION

"What's wrong, Father? Is it bad news?"
Claire Thornton, 'City of Flames: The Abducted Heiress'


MEDIEVAL

"Even thoug it was Witches' Night, the first time the door latched rattled..."
Carol Townend, 'An Honourable Rogue'


TUDOR

"Her quarry was within her sight."
Amanda McCabe, 'A Sinful Alliance'


VIKING

"Annis pressed her lips together."
Michelle Styles, 'Taken by the Viking'


Julia and Wylie, you intrepid historic mix- and matchers, you both win a prize for playing along. Let Apprentice Writer know which of these six titles strikes your fancy, and she will send them to you after her experiment is done.

Tuesday, September 30, 2008

EXPERIMENT: The Big H, Report #1

Much is made of opening hook in lectures for aspiring writers eager to learn their craft. "You only get one chance to make a first impression", "Bookstore browsers decide whether to buy based on the first paragraph", etc.

So would a book from a line with less than the average number of full-length novel pages (<300) be more likely to start off with a strong hook, and would it reflect its time period from the get-go?

Gentle Reader - you decide. Try and match each opening the correct epoch :

a. Viking
b. Medieval
c. Tudor
d. Restoration
e. Regency
f. Regency

1. "Leaning one broad shoulder against the wall, H. exchanged an amused glance with E. as they watched the bridegroom pacing in front of the hearth."

2. "Even though it was Witches' Night, the first time the door latch rattled R. was not alarmed."

3. "A. pressed her lips together, trying to keep her head from moving as her maid plaited her hair."

4. "The gale roared like a wild beast. Under its savage attack, the ship creaked and moaned and begged for mercy."

5. "Her quarry was within her sight. M. peered through the tiny peephole, leaning close to the rough wooden wall as she examined the scene below."

6. " 'What's wrong, Father? Is it bad news?' J. asked. Instead of replying, J. continued to stare at the letter in his hand."

Apprentice Writer will confess that she wouldn't be able to place any of these excerpts, except to guess that the quote referring to Witches Night would be from one of the earlier time periods. In terms of hook, she would have to give this round to #4. Fixing hair, leaning on walls, reading letters, house noises and watching others unobserved can't really compete drama-wise with threatening shipwreck and drowning of large numbers of people.

Answers in comments later today.

Monday, September 29, 2008

EXPERIMENT: The Big H

There are many, many readers whose primary consumption involves the products of that mighty modern empire, Harlequin. Its global expansion, in geography and width of subgenres, is astonishing. Ask a non-romance reader what they think a romance novel is all about and chances are, that person will picture something resembling one of Harlequin's monthly category books, with a specific type of cover and title.

Apprentice Writer has never been drawn to category books, though she hasn't really figured out why. Some time ago, she won a book after enjoyable online chat with the author , and only realized it was a Harlequin title when it arrived in the mail. The story was set in an intersting period, had likable main characters, and for AW's taste was too short on plot developments and too long on introspection, with an ending that felt very quickly resolved for the number of times hero and heroine declared it could never happen. Was this a reflection of that particular author? Or was it a reflection of the tight wordcount and plot requirements set out for this line?

Is it fair to judge an entire line based on one book?

The answer, obviously, is no.

Yesterday was the annual Toronto WORD ON THE STREET celebration of all things literary. Harlequin's tent offered hundreds of titles with all proceeds donated to adult literacy charities. And voila: in between juggling junior apprentice writers #1-3, an experiment was born.

AW scooped up five Harlequin Historical titles, each from a different time period. Her plan is to read them concurrently and see what happens. Will plots follow a pattern? Will heros and heroines seem popped from a template? Will author skill result in uniquely memorable stories?

Tomorrow: Report #1.

Gentle Reader: are you a Harlequin fan? Why or why not?

Thursday, September 25, 2008

Non-Book Reviews

Twin Reviews: YOU MEAN THAT'S IT?


Lust, Caution
2007, directed by Ang Lee

Apprentice Writer struggles to find words to express how much she felt frustrated by this film.

Directed by the respected Ang Lee, preceded by megabuzz, set in a fascinating time/place combination about which AW knew nothing and was eager to explore, with the still stunningly beauteous Joan Chen in a secndary role and the highly convincing young actress Tang Wei as heroine - it had all the elements of a fabulous film. And parts of it are. The premise is intriguing: a group of drama students in Japanese occupied China during WWII plan to assassinate a powerful Chinese collaborator via an illicit relationship with a young woman.


SPOILER WARNING!



After all the pedigree and period costume and much-touted non-chronological sequence is stripped away, though, the overriding messages this viewer was left with were that women in groups like to gossip about shopping, and women individually secretly enjoy being dominated and physically abused, so much so they will sacrifice principles and people if someone flashes impressive enough bling.

Even without the female-negative messages, Apprentice Writer would have been unhappy because of the seeming total lack of movement in the sociopolitical context of the film. By the time end credits roll, the Japanese remain firmly ensconced in Shanghai and Chinese collaborators continue collaborating blithely on, as if the whole drama of the past couple of hours (for the viewer) and years (for the characters) made not the smallest blip. Which may, perhaps, have been the Big Point, but for AW it was all tremendously frustrating.


SPOILER WARNING CONCLUDED


Having said all this, AW will concede that Tang Wei is an actress she hopes to see again, and that this film raises the silent, meaningful glance to an art form.







No Country for Old Men

2007, directed by Ethan & Joel Coen



Another movie reaping reams of praise and armfuls of Oscars, AW approached it with great anticipation. Ultimately unfulfilled.

A Texan hunter stumbles across the gory scene of what appears to be a drug deal gone wrong: human and canine corpses strewn about, large load of suspicious powder packets in pickup truck, and some distance away another corpse guarding a case containing wads of cash. A psychopathic killer meanwhile has been psychopathically killing, is called in to retrieve the goods, and the chase is on.

With the possible exception of Woody Harrelson's character, the acting was convincing. In Javier Bardem's case, riveting, despite sporting the worst male cinematic haircut since the teenager in "Little Miss Sunshine". The dialogue was convincing, the cinematography and pacing fine.

SPOILER ALERT!



What left AW scratching her head about the accolades was in part, the feeling that she didn't really get anything out of it. Was the concept that it's risky to butt in on a drug deal gone bloodbathedly wrong news to anyone? Was anybody surprised that Tommy Lee Jones is good at playing crusty old curmudgeons? Is it really not possible to predict that someone described as a 'psychopathic killer' will be a little unpredictable and it might not be best to attract their attention?

And what left AW ultimately frustrated was the open ending, in a bad way, of the whole story. (The contrasting example of open-ended in a good way would be the Tom Hanks' movie "Castaway".) In the final confrontation between villain and innocent bystander when a challenge is issued to stand by choices rather than hiding behind the facade of chance, the viewer cannot be sure what choice was ultimately made. In another type of movie, that could have been a thoughtful and even satisfying cinematic decision. In this case, it nullified even the parts of the movie that AW thought were well done. Or perhaps this is just one of the those movies that you need a Y-chromosome to understand.

SPOILER ALERT CONCLUDED


So, tell us, Gentle Reader: have you seen either of these films? Agree? Disagree?

Monday, September 22, 2008

Expressions of Strong Emotion

One of the things writers need to decide when creating characters is how they will express strong emotion.

Will it be a surface description?
"Frothmeister beheld the damage, and cursed."

Or will it be explicit?
"Frothmeister beheld the damage, and said (insert phrase of choice)."

If explicit, will it be some oft-heard phrase, or will the author take the delicious opportunity to be creative in a manner that reflects that particular character?
"Frothmeister beheld the damage, and bellowed 'Seeping slough of a half-giraffe, I'll thwortle those gronzites till they float!"

Sci-fi and fantasy writers have greater than usual opportunties for this sort of thing due to alternate world- and races- building that is part of their genre. The trick is for the reader to be able to figure out what is meant by a totally new-to-them word, via clues of context and personaltiy. In Ann Aguirre's GRIMSPACE, the characters eschew the regular version in favour of a different F-word: "Frack." There was a whole lot of fracking going on.

This was fine since it was clear from the first what was meant and why the characters felt it was called for. What threw Apprentice Writer out of the story was the sudden insertion of a conventional f-bomb. Why this change? Was it a typo? Was it an intentional contrast to the previous expression, for some purpose Apprentice Writer couldn't fathom from the text? Whatever the reason, the inconsistency brought the pace of the story to a crashing halt for this reader.

Then there is the opportunity provided by characters who have special interest in language. Daphne, the heroine of Loretta Chase's MR. IMPOSSIBLE, is a brilliant linguist, fluent in living and dead languages. And what is the expression of choice for this vocabulary-gifted character? "Good grief." A surprisingly conventional choice. Perhaps, intended to reflect Daphne's restricted nineteenth century social position.

In Sherry Thomas' PRIVATE ARRANGEMENTS, the heroine has a larger-than-life personality and does nothing in half measures. Her expression of choice is "Crumbs!", which amused Apprentice Writer very much as it made perfect sense that the tiny, broken bits of dust leftover from anything would be regarded negatively from her tycoon, big-picture perspective. It made perfect sense for her character.

Then we come to Apprentice Writer's current #1 favorite expression of strong emotion, taken from Joanna Bournes' MY LORD AND SPYMASTER, in which a hardened old spy learns of something surprising and responds,

"God's avenging chickens!"

Apprentice Writer defies any reader not to laugh. This is the second of Ms. Bournes' "Spy" books; the same character made a divine fowl reference in the first one too, but AW was so intent on blazing through the most excellent story that she didn't take the time to write it down. One can only hope that there will be a new and wonderful chicken expression in each of Ms. Bourne's books to come.

Gentle Reader, what unusual expressions have you come across?