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All you knitters and bloggers - Beware!
From the great site www.xkcd.com
where a budding comedy writer marks milestones on the road to dropping the 'apprentice' portion of her name
1. First things first: The cover of HTTAMR is lovely! Did you have any input regarding art, and did you choose the title?
DH: My original title was HOW TO TAME A MODERN JERK. My editor, as any good editor will do, made it much better. (Just kidding! It was originally called, HOW TO TAME A 21st CENTURY ROGUE. Still, my editor made it better. Okay, I promise I’ll be serious now…)
I didn’t have much input for the art. Mostly stuff like, “Um, she’s not a blonde…can we darken that hair?”
2. Not just the title, but the story also feels like a kind of hybrid between contemporary and historical. It was wonderful! Might there be more such books in store? Is HTTAMR a stand-alone or the first in a series? Might you be tempted to branch out into 'pure' historical?
DH: I’m so pleased you liked it! Thank you. I wrote this book with a “historical” voice because I wanted the richness of language I love in historicals in a contemporary setting. This is a stand-alone book, although I can’t tell you how many e-mails I’ve gotten begging for Mateo’s story. I’d love to write a historical one day. But if I do, it’ll be YEARS in the making. So much research!
3. "Comedy is the hardest thing to write." Agree? Disagree?
DH: I have no idea. I never try to write a joke or anything funny. I just try to tell a story. If it makes people laugh, that’s gravy. I’d also never try to write a scene to make someone cry. It all has to be part of the story to work. All that matters is being true to the story.
4. What comes to you first: the hero? Heroine? Ending? Punchlines of the jokes?
DH: The theme. Always, always, always the theme. What the book is about, deep down. I have to want to write something that’s incredibly meaningful to me, or I can’t do it. In the case of ROGUE, I was exploring the idea that the crazy people are the sane ones. I wanted to explore this as thoroughly as I could: no one finds love until they get a little crazy.
5. My favorite scene is when the hero and a friend discuss the phenomenon of romance novels, and what it means for them personally in terms of the women in their lives. I think I read it five times in a row, because it was funny on so many levels - two guys trying to wrap their heads around an enigma, the gentle mocking of some well-loved tropes in the genre, the way they decide how best to apply the hard-won knowledge - it all worked. Not just in that scene, but later, when the hero puts theory into practice. What's your favorite scene in the book?
DH: That bar scene, where Sam and the bartender discuss how to be a romance novel hero (“two words: chest waxing”) was originally all in the hero’s head. My brilliant critique partner, Ellen Hartman, made me change it to dialogue. I think my favorite scene in the book might be when Sam discovers the coachman’s true identity. I had been working toward that scene for most of the book, and had no idea what would happen. It ended up as surprising to me as it was to readers. I love it when it all comes together like that—unplanned and spontaneous.
6. My saddest moment was when I realized the promised elephants would not make an appearance. Dare I hope for a glimpse in an epilogue on your site, sometime?
DH: Oooh…good idea! Deleted scenes. I’ll get on it!
7. What's a typical writing day for you look like? Has it changed since Book #1 ("Make Me a Match")?
DH: I have no typical day. Sometimes I write all morning, sometimes, all night. Sometimes, not at all. I do a lot of staring out the window, thinking. But I am much more disciplined now. I wrote Make Me a Match without a contract or a deadline, so it took a full year. Now I have to write a book in seven months.
8. Your best writing habit? Worst writing vice?
DH: My best writing habit is listening. I think the worst thing a writer can do is to try to go it alone. It’s just too hard. Every single person has something worthwhile to say about my manuscript. I read my reviews and take notes.
My worst writing vice is chocolate. Isn’t it everyones’?
9. Social networking: Wolf in Sheep's Clothing or Blessing in Disguise?
DH: Do what you can, but don’t get carried away. Anything that takes you away from the writing is your enemy.
10. Nightstand inspection! What was the last ________ you read?
DH: Contemporary: Robin Wells, How to Score
Historical: Eloisa James, Duchess by Night
Paranormal/UF/Fantasy: Don’t read them. They frighten me. I’m a total wimp.
Mystery: Don’t read them. I cheat and look at the endings. Very bad.
11. Who is your writing idol and why?
DH: I have two. One is my critique partner, Ellen Hartman, for more reasons than I could ever list here. She writes amazing contemporaries for Harlequin Superromance. I have SO MANY others, but I’ll keep it one here: Susan Elizabeth Phillips. I started writing after reading First Lady. My goal in life is to write a book as perfect as that one. I shared an elevator with her once at RWA, but was too tongue-tied to say anything. I smiled a lot.
12. Which literary character do you wish you thought of first?
DH: Hamlet. Also, Don Quixote.
13. Best piece of advice for aspiring writers?
DH: Talent borrows—genius steals. What I mean by that is, don’t try to re-invent the wheel. No story is original. Heck, I stole the plot and character of Granny Donny for ROGUE from Don Quixote, the first book ever written. Start with something great, and make it your own. “It’s Don Quixote—but a romance novel!” So much easier to sell and to write than a long, complicated explanation. Stand on the shoulders of giants. I promise you, you’ll come out with something completely original because no one will do it like you’ll do it. The good stuff is out there. Work with it. Embrace it. Make it yours. Don’t make writing harder than you have to. It’s too hard already.
14. Anything else you'd like to share with Apprentice Writer's readers?
DH: Please come and visit my website, DianaHolquist.com, it there’s anything else you want to know about me. Or drop me a line at Diana@dianaholquist.com.
Thanks so much for having me here, Maya. It’s been tons of fun.
Thanks to Ms. Holquist for this small glimpse into author life, and especially for penning such a great story! (AW's review here.)
"....It was a desire to celebrate and share that love of the elements of gothic fiction that inspired me to create the first R.I.P. Challenge, four years ago.
Readers Imbibing Peril, that is what it is all about. I hope you’ll consider joining us on this more eerie road less traveled.
Walk this way.
Mystery.
Suspense.
Thriller.
Dark Fantasy.
Gothic.
Horror.
Supernatural.
The desire for the thrill that comes with this kind of reading drifts in on the autumn winds. You breathe it in and it takes hold of you, tempting you to late nights, book-in-hand, turning pages and starting at every unknown noise. Something wicked this way comes…"
So reads 'Stainless Steel Droppings' invitation to join in on this challenge. For the full description, go here.
As per suggestion, Apprentice Writer will share her 'reading pool':
GOTHIC: 'Seduced by a Stranger', by Eve Silver
Why This One? Fills criterion of '...can cut the atmosphere with a knife' in spades. Consider the first sentence:
"At the age of eleven, Catherine Weston was buried alive in a shallow, wet grave."
Status: Just started. Review to follow.
SUPERNATURAL: 'Trouble in Mudbug' by Jana DeLeon
Why This One? A ghost appears on the first page and stays till the last. Not a very scary one, true, but we'll still count this for the sake of ticking the genre box.
Status: Reviewed.
DARK FANTASY: Book 4, 'Corambis', Doctrine of Labyrinths series by Sarah Monette
Why This One? Because the subterranean water creature, the psychiatric hospital, and all the labyrinth scenes from Book 1 on gave Apprentice Writer the serious willies (in the non-British sense) and Book 4 will not be any different.
Status: Three books down (Melusine, The Virtu, The Mirador) , one to go.
HORROR: Apprentice Writer doesn't usually venture into this genre, due to being highly impressionable while also wimpy. She will therefore stretch definitions to include
'Demon Bound' by Meljean Brook (Book 7 in the 'Guardian' series if you count all the novellas), because some of the characters from Book 2, 'Demon Angel' (which AW liked very much) reside in hell, and repeatedly go through the tortures of the damned (in a minimally graphic way, thank the gods of fiction for small mercies), and if that's not horrifying AW doesn't know what is.
Status: Four previous installments in the series read, selected title to go.
MYSTERY: 'No Wind of Blame' by Georgette Heyer
Why This One? Because AW received it in the mail today and it looks really good. Since it is not remotely eerie, she will bend the definition again, and say the horror of this story lies in the views of many characters on the appalling manners of other characters rather than actual gruesomeness. How eerie can things get over an ever-present pot of tea? But this is the mystery AW has at hand, and since it's her blog, she's going to do what she wants.
Status: Twenty delicious pages in. Review forthcoming.
SUSPENSE/THRILLER: No idea what to insert here. Suggestions?
ETA: Gentle Reader and Debut Author Thomma Lynn Grindstaff has suggested
'Haunting Beauty' by Erin Quinn to fill this slot.
There we go. All boxes checked. Now AW just has to collect the actual volumes and commence.