Laughter Reviews & Giveaway: BEAUTIFUL PEOPLE

BEAUTIFUL PEOPLE
by Wendy Holden
Humorous Women's Fiction
Sourcebooks, April 2010 - IN STORES NOW


Premise: A 'serious' British actress getting her first big commercial break, a papparazzi-loving American actress looking to find her way back into the limelight, and a down-to-earth British nanny wrestle with the question of what makes someone attractive.

Cover: Eye-catching, saturated color, classic chicklit stiletto icon, title that can be interpreted on more than one level = great cover.

What Works: Apprentice Writer doesn't recall how she first came across this author's work several years ago, but she has been an admirer of the over-the-top Britlit style ever since. The daily life dilemmas of the protagonists are so easily relatable the reader can't help but sympathize, the self-centred misbehavior of the antagonists so overblown that the reader often develops perverse affection for their delusions of grandeur. Ms. Holden's novels are great fun, and this one is no exception. She takes such glee in skewering stereotypes that one can't help but go along with it and speculate about what composite of celebrities may have inspired various novel characters. It is not a simple 'let's laugh at the out-of-touch-with-reality celebrities' story, though; by taking certain behaviors or character traits of more ordinary folks to the extreme to make a point, this is also a cautionary tale about the risks that can go along with blind deference to fame or social status.

AW's favorite scene was right at the end, when an Italian character confesses his deepest sin. In a story dotted with shortcomings of various intensities and unpleasantness, the secret revealed as most shameful was so true to character and believable it provided the perfect comedic endnote.

What Doesn't: Apprentice Writer has observed that often, a person's greatest strength can also be their weakness. She has long admired this author's skill at with multiple point-of-view characters, the a heroine/villainess juxtaposition often being the most enjoyable aspect of the story. In this case, the reader entered the thoughts of a rather staggering number of characters - male and female, mature and teenaged, financially advantaged and financially exploited, talented and wannabe, shifting across three countries - such that this reader suffered occasional moments of head-hopper exhaustion which led at times to lack of connection with the character de page. Reflecting on this narrative choice, it occured to Apprentice Writer that it may have been intended as a statement on the fleeting nature of fame and how one barely comes to recognize a new star before his/her face is swept away on the tide of new up-and-comers. So, she will give benefit of the doubt and call this a clever nod to the reality of all the 'beautiful people' out there struggling to make their living from their appearance.

The second thing that made AW say 'Huh?' was the opening point-of-view. None of the three primary characters, nor even one of the 'main' (if that's the correct word) secondary characters, but a minor (AW is going to call it tertiary) character who then disappears for a long stretch. This confused her, used as she is to the current fictional convention of opening with either the protagonist or antagonist, and therefore feeling in a holding pattern of anticipation that that tertiary character would enter the scene again at any moment. It took quite some time to clue in that that wasn't going to happen. Again, once she thought about it, AW could appreciate that the scene was actually a bullseye choice for a story about, duh, beautiful people: a top executive for a modelling agency who is eternally on the lookout for the next 'It' face spots one in the wild (i.e. on a London street). AW will further admit that she really enjoyed the funny twist, wherein the executive is stunned when the boy to whom the traffic-stopping face belongs is indifferent to being discovered, and runs away. It was like the fish story of talent scouts. AW slotted it in under 'Who says the rule of opening with a main character can't be broken?'


But does it make you laugh? YES
This is a classic Holden tale, with eccentric ensemble cast and lots of changes of scenery. Another novel perfectly suited to the beach bag or airplane carry-on from the queen of contemporary social satire.


GIVEAWAY!
Who's your favorite 'beautiful person' and why?

Comment for a chance to win 1 of 2 copies of 'Beautiful People', then come back tomorrow for Q&A with the author to double your chances!

The Fine Print:
1. U.S. and Canadian addresses only, no P.O. Boxes please.
2. Leave a non-spammable way to get in touch if your profile doesn't lead back to an active blog.
3. For bonus entry, follow here or on Twitter (MayaWriter) and let me know.
4. Contest closes on 7 May 2010.

Good luck!

/m