Showing posts with label Covers. Show all posts
Showing posts with label Covers. Show all posts

Tuesday, December 15, 2009

Page 1: The Devil's Cub


"There was only one occupant of the coach, a gentleman who sprawled very much at his ease, with his legs outstretched before him, and his hands dug deep in the capacious pockets of his greatcoat.

While the coach rattled over the cobbled streets of the town, the light from an occasional lantern or flambeau momentarily lit the interior of the vehicle and made a diamond pin or a pair of the very large shoe-buckles flash, but since the gentleman lounging in the coach wore his gold-edged hat tilted low over his eyes, his face remained in shadow."


Georgette Heyer, "The Devil's Cub"

Next up: review.

Monday, October 19, 2009

Multi -Genre Lightning Reviews - FOUR FUNNIES AND A FUNERAL

Finished books are stacking up - time for another quickie round of main impressions.


Funny #1: OBAMAS BLACKBERRY by Kasper Hauser
This very funny collection of textmessages to and from the world's most famous man were imagined by a comedy troop. Arguably the best centre on Arnold Schwarzenegger's offer to go after the worlds most infamous man ("....Listen to me. With a parachute, some Red Bulls and a crossbow I could capture Bin Laden in 24 hours. I could even do it naked. I will grow my hair long for this...."), but exchanges with Bill and Hillary Clinton (whose handle is HBomb), Queen Elizabeth, Oprah Winfrey, Sarah Palin the outgoing President and others amuse also. The authors do a nice job of supposing what some of the more human manifestations of adjusting to being a new President must be ('To Grounds Maintenance: I'd like to mow the White House lawn. ' 'K. Will have to attach secret-service sidecar and gun mounts.'....). Even the icons on the Blackberry pictured on every page are entertaining: a donkey and elephant corresponding to the big American parties, the First Lady's face, and a mushroom cloud. Not every textmessage is a comedic success, and as a Canuck AW didn't recognize all the names involved. But no matter - this slim hardcover volume is easily read in one sitting, and would be great in a doctor's waiting room or as a gift.
But does it make you laugh? Yes, yes, yes!


Funny #2: GODDESS OF THE HUNT by Tessa Dare
This debut author has received much buzz in the blogosphere with back to back to back releases, three months in a row. These historical romances have a reputation for being light-hearted and funny. Apprentice Writer eagerly tore into the first of the trilogy, and was happy to find that she enjoyed the story. She did, however, feel that it was almost like reading a story and it's sequel in one volume....

MINOR SPOILER WARNING!!!!

....with the clear dividing line being the wedding. Beforehand, when the action takes place in the heroine's childhood home during a house party of age-mates, the tone is indeed lighthearted and often amusing. Afterward, at the hero's own home with just the two of them (and a mass of servants, of course) the feel becomes not dark exactly, but certainly significantly more serious and all drama.

END SPOILER WARNING!!!!

The story is well-written in terms of why difficulties exist and are overcome, and the couple convincing in terms of being a good match for each other - so those parts all work. The midpoint change in tone was something that took a little while for AW to get used to. She will be interested to see how the trilogy continues, but is now more aware of the fact that describing these stories as 'romantic comedies' may be misleading. (Not that they were necessarily represented to her in that manner. It is quite possible that AW developed that impression all on her own.)
But does it make you laugh? Yes, with qualifications.

Funny#3: HOLLY'S INBOX by Holly Denham
This nouveau-chicklit novel is Bridget Jones for the online generation. Holly is like Bridget minus the cigarettes and weight obsession and Becky Bloomwood minus the credit cards and shopping addiction. But instead of diary entries (Bridget) or letter entreaties to bank managers and creditors (Shopaholic), the reader learns about her hapless life through email exchanges with colleagues, friends, family, business contacts. All the classic chicklit ingredients are present: eccentric/demanding parents, quirky friends (including the requisite gay male best bud), urban setting, battles with higher-ups at work, evil/more successful rivals - and it all works. Though there is the rare moment when Holly seems to act like a schoolgirl rather than a professional woman, and there was a sudden out-of-character bit revolving around the best girlfriend (which made AW wonder if this was a setup for the next novel), the novel as a whole was a lighthearted success despite causing near wrist-strain at close to a whopping 700 pages. They fly by, though, because of the enormous amount of white space due to the email format utilized.
But does it make you laugh? For this reader - absolutely.

Funny#4: LOVE CREEPS by Amanda Filipacchi
This novel was an impulse buy, going exclusivly on the quirky cover (chartreuse green background with three black-and-white cartoon characters watching each other through holes cut into newspapers) and it's description as 'comic surrealism'. That it certainly is. It took AW a little while to get used to the deadpan, way-over-the-top style and story, but once she adjusted she enjoyed it a lot. The story opens with the heroine despairing of having lost all passion in life, and noticing that she has acquired a stalker. Thinking that stalking is an act of passion committed by a person obsessed with the object of their desire, she decides to imitate the behavior in an attempt to reawaken passion in her own life. She chooses a victim at random, and begins stalking a strange man. The story skips between points of view of the three people in this chain as the stalking direction goes backward and forward among them, and alliances form and shift. Added on are some secondary characters just as comically surreal as the protagonists, including a psychiatrist whose own form of professional stalking reduced him to streetperson status and who analyzes the patterns of behavior among them and can't stop himself from getting involved. Altogether, the novel is a fascinating 'what if?' kind of story.
But does it make you laugh? Yes, for those readers who appreciate the author's style. First page test recommended.



...and a Funeral (well not really but Apprentice Writer couldn't resist the 'Four Weddings and a Funeral' tie-in. Characters do meet their demise, but if memorial services actually took place they happened off-stage)

THE NIGHTWATCH by Sergei Lukyanenko
A cover blurb describes this extraordinary paranormal/fantasy novel as 'Harry Potter in Moscow'. Turns out, that's not quite accurate, but it was enough with enthusiastic recommendation from a cyberfriend to overcome AW's initial resistance due to belief that it was a vampire tale (the prominently featured fangs on the cover didn't help). There are, in fact, such creatures within, however they play a minor role. More central to the tale are 'regular' humans who have varying degrees of power to practice magic, and delve into a mysterious and almost sentient parallel universe. But even those abilities are secondary to the primary focus of the story: the hero (and others) trying to distinguish right from wrong, good guys from bad guys, greater from lesser evils on an ongoing basis because in real life, things are NEVER black and white. We all function in varying shades of grey, morally speaking, and pinpointing which is the overriding principle to uphold at any given moment is a never-ending puzzle and strain. The parallel world is organized into the Nightwatch, and the Daywatch (the title of the sequel), forces dedicated to upholding order and inciting chaos, respectively, with infractions by individual agents requiring compensation of the other side. The philosophy the author spins is highly thought-provoking; this was the first novel by a Russian federation author written after the fall of Communism which AW has ever read, and it was fascinating to get a taste of how a rapidly changing and sometimes anarchic social environment can influence literature. AW loved it despite not entirely smooth writing style, which she chalks up to bumps in translation.
But does it make you laugh? Not at all, but does it ever make you think.

Gentle Reader - Familiar with any of these titles? Please share!


Thursday, March 26, 2009

CHICKLIT: MISSING PERSONS REPORT

Chicklit has gone MIA.

Once so ubiquitous and easy to spot (Those shoes and tubes of lipstick on the covers! The cartoon images! Neon-bright girly colors!), chicklit has developed such a rampant case of shyness that onlookers suspect it should be declared dead. Let's have a look at the evidence, shall we?

Previously reported:
- An agent putting in writing to Apprentice Writer that (paraphrased) chicklit is toast,
nigh impossible to sell to publishers anymore,

- A used book store owner giving
less credit for chicklitish titles (including those clearly marked 'Women's Fiction') than any other genres due to difficulty unloading,


New clues:
- Harlequin's much-advertised 60-year anniversary celebration doesn't seem to have sent a party invitation to the genre. As far as AW could tell, none of the 16 featured free books available for e-download included chicklit, nor the featured series to be released during the year. Paranormal, suspense, inspirational titles etc. offer multiple choices for the reader each month; while
Red Dress Ink, the chicklit imprint, offers a single December 2008 title as most recent choice.

-
Upsurge in titles now described as 'Contemporary/Upbeat/Light/Humorous Women's Fiction'. Author Jane Porter's website divides her work into 'Classic Romance' (referring to series titles) and titles described as 'Modern Lit'.

-
Migration. First there was the disbandment of such sites as 'Literary Chicks', now previous chicklitish authors are popping up in other genres:

CARA LOCKWOOD - Young adult series and paranormal title
Every Demon Has His Day
ALESSIA HOLLIDAY - writing as Alyssa Day, paranormal series
Atlantis
LANI DIANE RICH - Co-wrote paranormal title
Dogs and Goddesses
EILEEN COOK- Young adult title
What Would Emma Do
EILEEN RENDEHL - writing as Eileen Carr, suspense title
Hold Back the Dark and urban fantasy title Don't Kill the Messenger

From this off-the-top-of-her-head and by no means exclusive sample, Apprentice Writer concludes that a) Some people are amazingly good at seeing the writing on the wall and doing something about it, and b) Young adult, urban fantasy, and holy-smokes-its-unstoppable,-Batman paranormal are the rainmakers at the moment.

Is there any hope of chicklit survival?
Well, yes. Apparently a chicklit voice can thrive by immigration to other genre lands and blending in there. Funny, first-person stories have been popping up (as would be expected from above) in Young Adult land, Paranormal land, and Fantasy land. Also, JANET MULLANY'S upcoming title,
A Most Lamentable Comedy, is billed as 'Regency Chicklit'.

But, the outlook for chicklit survival in the land of its birth - straight contemporary?
Looking doubtful.

Optimists will promise the inevitablity of its rebirth, certain to rise from the ashes anew at some unknown future point. Maybe. But, who knows how far in the future, and under what name?

Until then, AW wishes someone would
clue her in about the identity of the NEXT rainmaking subgenre.

Friday, January 9, 2009

The Way We Were (...or wanted to be)

Apprentice Writer somehow became involved in sharing thoughts with Harlequin about books they occasionally send to her. (So far, two American-set 'Love Inspired' Historicals). As a result, she recently received a '2009 Harlequin Vintage Cover' Calendar, celebrating the company's sixty years of 'pure reading pleasure' (according to the back blurb).

The covers? Seriously Wow.

Apparently, in the days when these books cost 35 cents, the kind of titles calculated to attract buyer attention included things like:

"Virgin with Butterflies" (Are experienced women with butterflies any different?)

"Pardon My Body" (Did it sneeze?)

"Idaho" (Take that, Texas!)

"The Manatee" (Obviously a better choice than 'The Platypus')

"You're Lonely When You're Dead" (It's better to be dead together?)

Taglines include:

"She lived like a wicked little animal"

"The private affairs of not-too-private secretaries"

"A fast, salty realistic yarn pulsing with action"

In contrast to many current romance books, all of the illustrations show a woman. Eight include one or more men. There is a lot of leg and plunging decolletage involved, and the kind of figures that used to be called 'buxom'. Four covers depict guns, held by men and women alike. A rampaging bear, a gigantic green hand about to pluck an amorous couple, train tracks and five male heads with wings instead of ears round things out.

Also interesting are the author names: 9 of 12 are either masculine or neutral (e.g. initials). Did female authors adopt male pen names for these early Harlequins? Or did men actually write them? Was Harlequin trying to go after both the male and female segments of the reading public?

Altogether - a very fun and entertaining look into the past. You've come a long way, Cover Babe.