Bookish Outposts in Cyberspace: Part I

Where, the Gentle Reader may wonder, does Apprentice Writer go in the Blogiverse when she isn't here at home?

To various bookish landing spots, some well-known and some deserving a wider audience. In no specific order:

Dear Author - this reader-oriented site (as opposed to author- or publisher-oriented) was begun by Jane Litte, a reader whose training is in law. As a result some of the most interesting discussions at the site involve legal interpretation on developments in the publishing industry or legitimacy of various threats made in the kerfuffle du jour. The site is devoted mostly to genre fiction (heavily of the romance persuasion including any and all subgenres), but from that single blogger beginning it has grown to multiple reviewers of widely differing tastes. Authors comment frequently in the threads, there are many guest posts, and publishers regularly hold impressive giveaways. Jane and Sarah of 'Smart Bitches, Trashy Books' also collaborate on all sorts of bookish ventures - the annual DABWAHA tournament (AW will let you google that on your own), commentary in various conferences and workshop panels, and who knows what else. You never know what you find when you visit Dear Author, but it is interesting enough frequently enough that AW keeps checking in.

S. Krishna's Books - this single reader site records the thoughts of Swapna, reader extraordinaire. Every time AW, who considers herself a fairly heavy reader, visits she is staggered by Swapna's readerly output (or perhaps consumption is the better word), mostly in literary fiction with some memoir, women's fiction, and mystery sprinkled in. This could perhaps be rationalized by supposing that Swapna does nothing else but read, however she is also a student and has a spouse, who presumably needs some attention now and again. As if that weren't enough, she looks stunning. AW has tried to hold all of this against her but fails miserably due to curiosity about thoughts on the titles AW is thinking about checking out, and Swapna's special interest in multicultural authors.

A Life With Books - this single reader site talks about daily life and bookish topics in roughly equal measure. Since both kinds of posts, and the ones that mix it all up, are entertaining and laidback, AW enjoys her visits. Jenners has a laid-back yet thoughtful style, an easy-to-read five point book review system, and has a talent of picking up on fun memes from the blogosphere.

More sites to come.

Triple Review: COMING OF AGE IN AMERICA

Today, a look at three debut novels, all coming-of-age stories in which the protagonists share first-person voice and family dysfunction. Apprentice Writer has no idea why the cover images are such different sizes; this wasn't supposed to be a statement on relative quality.

GODS IN ALABAMA, Joshilyn Jackson Literary Fiction, 2005

SIDEWAYS, Jess Riley Women's Fiction, 2009

APOLOGIZE, APOLOGIZE, Elizabeth Kelly Literary Fiction, 2009

Premise
1. Alabamian returns home after ten years to confront old ghosts and deal with current family pressures.
2. Middle-American kidney disease survivor goes on a road trip to celebrate life and seek answers to some significant questions.
3. Eldest son of a wildly eccentric/wealthy East Coast family struggles to define himself and build relationships while buffeted from all directions by differing expectations and judgements.

Cover
1. Title - Captures the overarching theme excellently, the small g in'gods' is significant, even though traditional religion with a capital R plays a role as well. Art - eye-catching, dead-on accurate in image of woman traveling, in every sense of the word, in a rural environment.
2. Title - Short and evocative = very good. Art - the rustic track and flipflops (as in opposite of urban background and stilettos), make it very clear this is not chicklit.This is the story of a thoughtful woman, taking her time to wind her way in whaterver direction the route may show. Well-done.
3. Title - Confuzzling until one reads the story and realizes that it is a compulsion the protagonist seems to feel all his life. Art - water and dogs are a constant background presence, so the images are accurate, but they convey the impression that the story is primarily about the relationship between people and dogs. Or dogs and dogs, for that matter, neither of which is accurate. Could have been done better.

Thoughts
1. Apprentice Writer kept encountering rabid enthusiasm for this author's work, and decided to give the debut a go. She almost stopped reading relatively early on due to some extreme and puzzling flashback behavior on the part of the heroine, but stuck with it - and was richly rewarded. What a wonderful, complex, sometimes-stark-yet-sometimes-funny story. The heroine, Lena, had a tremendously rough early childhood. Her mother was always on the fragile side emotionally, but when her husband dies of cancer she unravels completely, giving herself over to depression and pill addiction with the consequence of extreme emotional and physical neglect of her daughter. Her Aunt Florence is described as 'roaring' into town to rescue them despite her own recent tragedy of losing a son, and 'roaring' is pretty much how Aunt Florence takes charge of everyone around her from that moment on, her common sense and bossiness literally saving Lena's life as well as her mother many times after. Lena the survivor, Florence the warrior farmwife, and Burr the sharp-witted but sweet-natured lawyer boyfriend were all wonderful, thoughtful, flawed yet appealing characters, slowing dancing closer and closer to the truth of what drove Lena away from her home for ten years. The unraveling secrets twist and turn in a way that made AW read ever faster.
Did this book do its job? HELL YES! Apprentice Writer closed this book with a profound sense of satisfaction at the story's well-roundedness and ending, thought about Lena, Burr and Aunt Florence for days, looks forward to glomming the author's backlist, and, for the first time in her life, longs to visit Alabama.

2. AW loves road trips, whether in real life, books, or movies. Add to that excellent basic device a heroine who has the guts and humor to summarize her situation with "I'm the Beirut of health!" after being nearly killed by kidney disease, and who decides to escape her overprotective older brother to get in her car and go where the whim takes her, and you have the ingredients for a great story. As the trip goes on and she acquires travelmates, the life questions she tries to seek resolution on escalate from near-universal (looking up a former boyfriend to see how he's doing without me and if there's still a spark) to rare and heartbreaking (one last bid to find the mother who abandoned her in childhood). The story is unpredictable and the ending refreshingly non-Hollywood.
Did this book do its job? YES! This was a lovely, thoughtful, appealing story of a young woman who gets a raw deal and responds to all of it with poise, grace, and smarts. AW will eagerly look forward to the author's next title.

3. This book was an impulse choice when AW walked by a display table that proclaimed "The World Needs More Canada!" and offered all Canadian authors. AW could only agree, and the quirkiness of the title and backcover blurb convinced her.
Evaluating the novel itself was a bit perplexing. On the one hand, the author is wickedly good at unique simile and metaphor construction. AW's copy is dogeared with pages she wants to return to for additions to her quote collection. On the other hand, it was often difficult for this reader to understand how different scenes or chapters built on each other. It was also frustraing how the protagonist, and several secondary characters seemed to remain much as they were from the start, with negligible development.
Did this book do its job? Qualified yes. Though AW would have liked more clarity by the end of the story, the author's amazing talent with deft description will make this reader sift future titles for all the shining turns of phrase embedded within.


Soundbites
1.(Lena calls home after a delay on the road: "Hey, Aunt Flo -"
"Are you all right?"
"Yes, I'm-"
"Are you hurt?"
"No, we're fine, but-"
"Hold, please," Aunt Flo said. I heard the clatter of the receiver being dropped on the counter on her end...
"Gladys? It's your daughter. she must be calling you to tell you she is dead and in hell and to ask you to dip your finger in the water and cool her tongue, as she is tormented in flames. Surely she is dead and in hell, because nothing else would explain her not showing up and not even calling you, her own mama, to keep you from pulling out all your hair with worry. I am so sorry she is dead and in hell, but at least they have phones there."


"Married," said Florence in a dire, deep voice."You got married. Well. Thank you so, so much for calling to tell me this...Anything else you want to tell me? Is your new husband that your family has never met an ex-convict, for example? Or are you just knocked up?"
"...I'm not pregnant, and he's not a convict. I told you, he's a lawyer. but I guess I should tell you he's black."
Finally she said, "What do you mean, he's black? You mean he himself is black? A black man?"
"Yes. by black, I mean he is black."
"I am hanging up now Arlene. I will take this up with you and your secret black husband when you arrive."

2. "...the San Rafael Desert..(makes) my soul sit up and rub her eyes: vast, empty plains stretching for miles back to rugged cliffs and brick-colored buttes, sagebrush and grasses eking out a thirsty existence in the ditches, gregarious sky overwhelming in its blue clarity. The road unspools before us, endless white lines running together into an albino snake."

"You know how people always seem to see the Virgin Mary in a burrito, or in a stain on an underpass highway?..Ned and Cassie have collected numerous objects that have a) been spiritually imprinted with a visage from beyond, b) fallen into a puddle, or c) been crushed by a portly ass at some point in history. These curiosities, shelved helter-skelter in the tiny shop, include items like a bath mat with a Joan of Arc-shaped stain and a piece of driftwood allegedly in the shape of Ganesha (if you held it at arms length and squinted while running at high speed)."

"...I wouldn't (do that) even if you paid me with money still warm from George Clooney's front pocket"


3. "(The estate) was famous for its heritage rose gardens...leave it to (my grandfather) to take a thing of beauty and turn it into a military operation. To this day, the rose is my least favorite flower - I think of it as a scented hand grenade..."

"(Your grandmother) was skinny and mad, a veritable vibrating hairpin."

"It was clear to me (my political activist mother's) real purpose in attending (the party) was to meet Robert Redford, which isn't to say that her entrance wasn't any less reminiscent of a Bolshevik charging the palace on foaming horseback...(I watched) in dismay as she chased down a prominent CEO, running him through with her verbal pitchfork. Before the night was over, just about everyone in the place had sprung leaks..."

Recommended for
1. Fans of skilled, multi-layered writing, memorable characters, stories of family and couple dynamics.
2. Fans of road trip stories, friendship and sibling dynamics, non-formulaic endings.
3. Fans of superb characterization, one-liners, readers with a high tolerance for non-linear progression and ambiguous endings.

Learn more
1. Joshilyn Jackson. Also maintains a funny blog. Latest: 'Backseat Saints'
2. Jess Riley. Also maintains an entertaining blog. Next work's title unknown.
3. Elizabeth Kelly - could not locate a website or blog. Next work's title unknown.

/m

Lightning Reviews: MULTI-GENRE CONTEMPORARY

Time for some more lightning reviews, contemporary division!

The Girls, by Lori Lansens
Literary Fiction, 2005 (reprinted 2009)
Cover: Attractive lilac shade, mysterious female face, it is only after reading the blurb and realizing that the story is about conjoined twins, forever bound to each other at the skull, that one realizes how apt the cover is, showing as it does two women attached but looking in opposite directions as do the protagonists (if you look at the front and back covers simultaneously). Simple but brilliant.
Content: Apprentice Writer absolutely loved this novel of conjoined sisters alternately telling the story of their life after learning one has a medical condition which will ultimately kill them both. The sisters' never-ending challenge and paradox is to do everything as one, but still be considered two separate individuals. Their voices are so distinct from one another that AW never mistook whose 'turn' to speak it was, despite annoyingly similar names bestowed upon them. The story explores such obvious themes as identity and definition of normalcy, but also feminitiy, boundaries of romantic and non-romantic love, exploitation, and what happens when biology (as opposed to social circumstance) forces one's sibling to also be take on a parent/child role.
Recommended for: Everyone. No matter how many books AW reads this year, 'The Girls' will be in her top five. She won it from Goodreads First Reads program, and immediately foisted it on her bookclub. It generated a tremendous amount of discussion and lingered long in the club's collective consciousness.


Made to be Broken, by Kelly Armstrong
Thriller, 2009
Cover: Moody red & black colors, graphic look, gun central = gives an accurate picture of what to expect, but not particularly unique or eyecatching. More signficant, perhaps, is the fact that the author's name is not only equal in size to the title but tops it: this author's has had runaway success in the paranormal and YA genres, and now appears to be crossing over into another with this suspenseful tale.
Content: AW wanted to get a taste of this very popular author's style, but could not warm up to her most well-known wolfian shapeshifter story, 'Bitten', praised though it is by many. So she picked up the second book in the Nadia Stafford series, about a female assassin for hire who runs an inn in rural Ontario when she isn't assassinating. And despite some sad-to-the-point-of-disturbing subject matter (murdered mother and stolen baby), the author's style lets the reader fly right along in the story. The protagonist's moral dilemmas and personal choices were convincing, her quandary of choice between two colleagues (and likewise, men) kept AW interested.
Recommended for: Fans of suspense, readers who like the author's work in other genres.

Curse of the Spellmans, by Lisa Lutz
(Spellman Files Book#2) Mystery, 2008
Cover: Indubitably eye-catching (ha!) due to rainbow color scheme, and the optics everywhere do make sense for the story, but the overall effect is muppet-like and could be done better.
Content: AW enjoyed Book#1 in this private investigator family series tremendously, and Book #2 even more so. To call it 'quirky' is like saying FIFA World Cup stadium audience members enjoy soccer - much too pale a word to capture the true essence of what's going on here. Isabelle Spellman's innate personality and unusual upbringing/training in private investigator tactics combine to produce a heroine who is without question odd and even dysfunctional in some ways, yet irrepressible and enormously appealing in her dogged attempts to do the right thing, regardless of whether the person she's doing it for or to wants that. She, her younger sister, and both parents are absolute masters of making the most jaw-dropping actions and statements seem perfectly reasonable.

As to AW's standard question, 'But does it make you laugh?'
Better believe it. Take a look:

A new neighbor has just witnessed Isabel exiting her parents' home from an upper window rather than a door. This does not st0p him from inviting her to breakfast. Bear in mind: the following is supposed to be their first DATE:
"As Subject beat eggs...I explained that I don't quite understand the big deal about doors. I casually mentioned my (window habit) as a throwback to my rebellious youth, but also as a rejection of the absoluteness of doors being the only socially acceptable mode of entry and exit. I'm not sure I convinced Subject to give windows a try himself. He stared at me a second too long and said, 'Well that's another way to look at it.'

Over breakfast Subject and I attempted to get each other's vital statistics.
'So what do you do?' I asked.
'I run a landscaping business.'
'Oh, that explains the gardening.'
'Does gardening need explaining?'
'I think so.'
'And you?'
'I haven't gardened in years. Thirty, to be exact.'
'You should try it sometime. Some people find it relaxing.'
'What kind of people?'
'I'm changing the subject,' Subject said."

'When you witness your mother vandalizing a motorbike for no apparent reason, there aren't a whole lot of people you can discuss it with.'

Someone is copycatting a series of creative vandalistic acts Isabel perpretrated (but never admitted to) as a teenager on a neighbor's outdoor holiday displays. Isabel is hired to solve the current case and begins by interviewing those who knew about it, starting with her dad, a former police officer.
"The transcript reads as follows:
Isabel: 'Do you recall the string of adjustments to Mrs. Chandler's life-size tableaux during the 1992-93 school year?'
Albert: 'Adjustments. Nice word choice.'
I: 'Please answer the question.'
A: 'Yes, I do recall the adjustments.'
I:....'Do you recall telling anyone about them.'
A: 'I do.
I: 'Approximately how many people?'
A: 'Has to be at least forty or fifty.'
I.'Are you out of your mind? Didn't you have anything else to talk about?'
A: 'Excuse me, Isabel, but I was getting tired of listening to my colleagues rave about their daughters' straight A's or swim team victories, science fair ribbons and Ivy League educations. These were the only bragging rights I had on you and I enjoyed it. I didn't relish you being a vandal, but the 'adjustments', as you call them, were downright brilliant. If only you had channelled that energy into something useful.'
I.: 'I have no idea what you're talking about.'
A.: 'Give me a break.'

Isabel's hardworking parents try taking a vacation, and send separate emails home to their daughters:
"Subject: Cruise Ship Dispatch #1
This is like a floating prison. Sometimes I just want to throw myself overboard so I can have some more space. I can't see the appeal. Plus, your mom's sick as a dog, so I have to roam the decks alone. Everyone on board has been drugged with some awful substance that makes them smile constantly. Crew members are always asking me if they can help me with anything. I'm walking down a hallway, and they ask if I need assistance. With what? I hope you both are behaving yourselves. I'll know if you're not. Dad.

Subject: Greetings from Hell
After two days of eating saltines, I finally made it out of the cabin, which is about the size of our Audi. In defense of my cabin, however, no-one inside it wears a thong.'

Recommended for: Fans of unusual, unpredictable heroines, readers who enjoy unique secondary characters and don't need a fulfilled love affair every book, anyone who likes their humor dry and quirky. AW can't wait to see what happens in Book #3, 'The Spellmans Strike Back', and can't decide at this moment if she likes Isabel's tween sister Rae or the superlative Flavia de Luce of 'The Sweetness at the Bottom of the Pie'. Tough choice, which calls for immediate reading of next books to decide.

Non-Laughter Reviews: LITERARY FICTION

ROOFTOPS OF TEHRAN
by Mahbod Seraji
Literary Fiction
Penguin, 2009

Apprentice Writer's first guest review! Her guest reviewer is none other than Mr. Apprentice Writer. He was chosen for this distinguished post for two reasons: 1. it is still November, and AW is in a last-days-of-Nanowrimo frenzy, and 2. Mr. AW was born in Tehran. Presumably not on a rooftop, but close enough that his interpretation of the novel could have more depth than that of his spouse.

A little context: AW won a copy of this novel during Book Blogger Appreciation Week from the wonderful 'Literary Escapism' site. She showed it to Mr. AW, who at first made no particular reaction. For the Gentle Reader's information, Mr. AW is NOT a leisure reader. Apart from what he is required to read for professional reasons or child homework support reasons, his reading material is pretty much exclusively formed by the newspaper and the odd technical manual. Novels do not come into play. Imagine AW's astonishment when he finished this book within a very few days after beginning it.

Here is what he said:

"I was ready to find flaws in the author's accuracy of descriptions but all the little details of everyday life sound authentic. From the way the teenaged boys talk to each other, to the description of the houses, to the expectations people had of each other. It was amazing how well written the story was, given that the author only left Iran at age 19.

I think this is a worthwhile book not just because it tells a good story in a well-written way, but because it can help people from other countries to get a better picture of what life in Iran was like, as opposed to all the terrible news footage that forms many Western viewers' picture of Iranians. I also think that it shows that love, and relationships between boys and girls/men and women, are quite different in other places than how things work in the West.

I read the story in three days and would immediately have started the next by the same author if it had been published."


Learn more about the author and the book here.

m.

Twin Reviews: LATINA HEROINES

B as in Beauty
Alberto Ferreras
Literary Fiction? Chicklit?

Hungry Woman in Paris
Josefina Lopez
Literary Fiction? Autobiographical Women's Fiction?

Premise
1. Big beautiful career woman with self-esteem issues learns to capitalize on her unusual look.
2. Grieving, romantically-conflicted and family-challenged first generation American woman
seeks answers in French haute cooking school.

Cover
1. Very beautiful, with eye-catching colors and relevant title. Would have snared Apprentice Writer's attention if walking by in a store.
2. Gorgeous colors. Unusual, striking, and symbolic image which perfectly captures a key moment in the story. Fantastic title which reflects content exactly. One of the best covers AW has seen this year.

What Works
1. B, short for Beauty, is an appealing young heroine. Of Cuban-American descent, she is in an ongoing struggle on three levels: to navigate her way between her family's traditional expections while in the 'new country', to get ahead in her job in advertising, and to make peace with the fact that despite her best efforts, her body does not conform to current notions of feminine body ideal. Following a few chapters establishing the baseline of her life, she meets an enigmatic older woman who offers her the opportunity to see her body in a new way; through the eyes of men whose thoughts and needs regarding love are highly specific and out of the norm. Offering her services to these men sets B on a gradual transformation process. Watching her growing self-esteem touch off changes in her personal and professional life was enjoyable, with the reader rooting for her along the way.

2. Who (apart from Parisians) hasn't entertained a fantasy or two about leaving all one's troubles behind to run away to Paris and recreate one's life? And who (apart from - OK give AW a minute here, she's having trouble coming up with an exception) doesn't equate Paris with exquisite food and passion for eating? This reader was more than ready to vicariously live out her dream through the heroine's actions, and eagerly explored the legendary Gallic capital through Canela's eyes.
As a visible minority member in France, Canela lives through the immigrant experience all over again after doing so the first time following an immensely difficult transition to the United States from Mexico. Her descriptions and flashbacks to key childhood scenes are vivid, and show what she means by hunger, of the body and the soul. This is the author's first novel, and there are sudden, small moments peppered throughout the novel that seem gem-like in beauty and clarity. One such is the scene where Canela recalls the exhausting work of picking grapes with her entire family, holding a cluster of fruit in her hands as though it were a heart, and having this memory abruptly tainted by arrival of authorities to conduct a raid on illegal workers. All panic and flee, so that fear of discovery, physical hunger while waiting till it's safe to emerge from the hiding spot, blood from an injury, and sweet grape juice all mingle together in the child Canela's mind. A shining moment in the narrative, and one that shows the author's screenwriterly and poetess roots.


What Doesn't
1. For some reason (the trade paperback size? the artistic cover? the reading group guide?) AW began this story under the impression it was literary fiction but as pages turned, it felt more like Latina chicklit. To wit: first person (check), young, urban, single, female protagonist (check), label-conscious (check), works in publishing/marketing/some such field (check), relies more on friends than family (check), has evil ex-boyfriend or evil boss or both (check). All that was missing was the gay best friend.

Gentle Reader, don't misconstrue. AW does not dislike chicklit. To the contrary, she has been diligent in her efforts (recorded in this space) to track down the increasingly endangered beast in its natural habitat. It's simply that she could do without the more strident tropes of the genre. Simply inserting a Latina heroine where, say, a standard-issue British one would usually be, does not alter the fact that a genre stereotype remains a genre stereotype. Specifically, the evil, ultra-onedimensional boss seemed overdone.

At multiple points throughout the story, B feels the need to repeat to her employer that she does not agree to have sex with the clients, and the employer assures her that she need not do anything with which she is not comfortable. Given the facts that the meetings with clients take place at night, that B is paid handsomely (by the employer after being given cash by the clients), that she is expected to devote large amounts of time and money on appearance, and that she is taken to and from appointments by a male driver who assures her that he can extract her from situations just as soon as she signals she is uncomfortable, it is understandable that B finds the lines blurry at times. Little tip: if you are in a frequent state of anxiety due to constant checking where the line is drawn, YOU MIGHT WANT TO STEP BACK AND RE-THINK THE WHOLE SITUATION.

2. There was much to enjoy in this story. There was also much to stub one's reader toe on. First, the character of Canela herself. The story opens with her behaving badly during a funeral. Grief can take mourners in different ways so it was not difficult to overlook this opening , however Canela continues at times to act in ways that seem oddly young and/or ego-centric for the stage of life she has reached. This is not the same as acting selfish; a recurring theme is her despair that she felt unable to help her beloved cousin in a difficult life situation, and when presented with an opportunity to make a difference for another woman in dire straits, she jumps in with both feet. It was more a matter of not grasping her hypocritical actions (e.g. she remarks more than once that she hasn't heard from a friend who had to leave France abruptly, yet she herself took off for France without telling anyone where she was going and takes a very long time to communicate with family members to let them know she is alright, avoids talking to parents directly so as to avoid lectures, etc.) and also, disappointingly, the schoolgirl level at which the cooking experience seems to remain.

Being a fan of HGTV, and having recently read 'Julie & Julia' (in which an amateur chef chronicles attempts to cook all recipes in a classic French cuisine cookbook in a year), AW has this preconceived notion that people who go into the profession are filled with passion and creativity where food is concerned. And though there were a few times where this came through it mostly was when gastronomic and romantic (or perhaps more accurately, lustful) passion intersected. Canela doesn't enrol in cooking school because she loves food an admires French cuisine; she does so to obtain a legal document that will allow her to stay longer in France because she doesn't feel ready to go home yet. Consequently, it should perhaps have been no surprise that the school scenes describe worry about tests, jostling with fellow students, time running out - all things that could take place at any kind of school. AW missed the zing that goes along with people for whom food is art, who train themselves to heighten their senses in service to providing new taste experiences for their clients and families. In this context, she was taken aback at the sheer number of men who appeared to seek employment at the school for the purpose of gaining access to a never-ending stream of foreign student bedpartners (since emphasis is made on the fact the French cooking students don't enrol). Perhaps she should be more cynical?

She also missed smooth writing. The author's style felt choppy and confusing, with details and characters mentioned that at first were assumed to be designed to further the plot but then led nowhere. Like Canela, the author spent time in France at cooking school. It made this reader wonder if the writing style could partly be explained as autobiographical memory, with scenes given straightforward description of what took place at the time, rather than deliberate fictional build-up of one detail logically upon another so as to achieve a particular effect in the reader. Yet - the parts that worked, worked very well. Often in short snippets, such as clever chapter titles: 'Like Water for Canela', 'Last Mango in Paris', 'A Chicana in Paris'.


Overall
Apprentice Writer has read very little Latin-oriented fiction. She won these titles as part of a Hispanic Literature Appreciation Month prize, and eagerly dove in. Though she didn't click on every level with these particular stories, without question, the background of the heroines added depth and interest to tales of universal struggle of young women trying to find their place in the modern world. AW greatly looks forward to reading further titles exploring the Latin diaspora.

Learn more about the authors here:
Alberto Ferreras

Josefina Lopez

Non Laughter Reviews: BOOKCLUB

LOTTERY
by Patricia Wood
Literary Fiction


Premise
Cognitively challenged man wins the lottery, releasing an explosion of opinions about what he should do next.


What Works
This was a very thought-provoking novel in terms of premise as well as literary strategies employed by the author to tell the story, written in first-person point of view. It opens with Perry describing his 'regular' life; working in a marina, functioning according to regular habits of what activities and what meals belong with which days of the week, utterly ignored by brothers and mother who live elsewhere and make him call them 'cousins' and 'Louise' so as to deny the true relationship. Perry was raised by loving grandparents, themselves struggling to cope after their son, Perry's father, embezzled money to abscond to the Caribbean, forcing bankruptcy of their shipyard and the premature death of the grandfather. Soon after the story begins, Perry's beloved grandmother also passes away, and the remaning relatives make off with anything financially valuable in the home and overturn the deceased's arrangements to have the house left for Perry by persuading him to sign a power of attorney. He moves into a small apartment above the marina with his few remaining mementos of his grandmother (a favorite dress, a dictionary, and a book of crossword puzzles - all of which he considers 'the good stuff' because of their connection to her) and struggles to establish new patterns for each day of the week. Supporting him, to the best of their limited ability, are his boss (a family friend of the grandparents), his colleague Keith (an uncouth, emotionally scarred Viet Nam vet), and Cherry, (an abused teenager who works as cashier at the corner store and whom he shyly admires from a distance).

Perry buys the winning ticket. The resultant fame creates all sorts of situations in which he must decide how to respond to suggestions and pressure from those who wish to exploit him as well as those who believe they have his best interests at heart. The choices he makes, the ones he doesn't, and the reasons why make for a very compelling story that forces a close look at what is valuable, the basis for love, whether there should be limits to independence, and how success and failure in life are judged.


What Doesn't
The bookclub debate on the ending was lively, to say the least. Most readers reported at least an initial feeling of passionate unhappiness at what could be interpreted as injustice; however many, if not all, expressed satisfaction at how things turned out once they'd had an opportunity to think on it independently, and for sure after the author shared her reasoning for ending it the way she did. Yes, that's right. The author participated in our bookclub's discussion by telephone from her boat in Hawaii. COOLEST BOOKCLUB DISCUSSION EVER.
That reasoning was: did Perry make the best decisions? Maybe, maybe not. But that was irrelevant; the point was, that it had become important for him to make a 'big' decision completely on his own - and he did, so in that sense, he triumphed. And with that simple observation, eloquently pointed out by a highly-engaged activist for self-determination of people of all capacities, what some readers considered the book's greatest weakness transformed into it's greatest strength.

Overall
A quick, enjoyable, and thoughtful read from a point-of-view that rarely finds an opportunity for widespread expression. Bookclub members were almost unanimous in their final evaluation that they liked it and would recommend the book to others. What the bookclub members were definitely unanimous about was the positive experience of having the chance to interact with the author. Give it a try!

Reader under the Microscope

A reader under the microscope meme.

1. Which book has been on your shelf the longest?

A collection of fairy tales by Hans Christian Andersen, in German.

2.What is your current read, your last and next?

Current: 'Book of Negroes' by Lawrence Hill (excellent literary fiction; voted the book Canadians should read in 2009 if they could only choose 1)
& 'What a Scoundrel Wants' by Carrie Lofty (excellent historical romance)

Last: 'Magic to the Bone' by Devon Monk (excellent urban fantasy)

Next: 'For Pete's Sake' by Julia Harper (hopefully excellent contemporary comedy)

3. What book did everyone like and you hated?

Not hated (liked, actually) but not as powerfully as buzz led me to expect: 'The Raven Prince' by Elizabeth Hoyt. There was a disconnect for me between tone of the first chapter (& very funny teaser hero interview) and the rest of the book. I did enjoy another in the series, 'The Serpent Prince' much more, though. Haven't had a chance to read the second.

4. Which book do you keep telling youself you'll read?

Anything by Nora Roberts. Still haven't dived in even though I've come to respect the author's online persona. Maybe I'm afraid I'll drown in the backlist?

5. Which book coming out in 2009 is a top priority?

- 'Corambis', the conclusion to the 'Doctrine of Labyrinths' series by Sarah Monette
- Meredith Duran, Sherry Thomas and Loretta Chase's next

6. Last page: read it first or wait till the end?

Leave it till last if I like the book, read it if it looks like the book will be a DNF.

7. Acknowledgements: waste of ink or interesting?

Must read. They say so much about the author.

8. Which book character would you swith places with?

Helena Justina. She gets to go back and forth between the worlds of her love, Falco, and her senatorial family, plus she travels to all corners of the Roman Empire. Her story starts in 'The Silver Pigs' by Lindsey Davis.

9. Which authors do you want to read that you haven't yet?

The Brontes, George Eliot, Bill Bryson, Neil Gaiman.

10. Which books are still on your shelf from when you were in school?

Dictionaries: English straight up, English/German, English/French, German/French

11. Which book has been with you to the most places?

Atlas.

12. Any required reading in high school you hated but that's not so bad ten years later?

Classics of German literature like Schiller and Goethe's 'The Sorrows of Young Werther'.

13. Stephen King or Anne Rice?

Have never read either.

14. Used or brand new?

It's all good! But how telling that it wasn't phrased as 'used or new or e-ink'!

15. Movie that you liked better than the book?

'Lord of the Rings' trilogy (ducks rotten tomatos). I know, I know, but the style just didn't speak to me. I read it for the story rather than Tolkien's prose.

16. Who is the person whose book advice you always take?

Always: no one. Pay attention to: reviewers at 'Dear Author' and 'Booksmugglers', my neighborhood Book Club, and my writer friends Abby Godwin and Wylie Kinson.

17. Which one book or series you recommend?

Cannot possibly do just one:
Funny first-person sleuthing in Imperial Rome: 'Falco' series by Lindsey Davis
Funny first-person sleuthing in Victorian Egypt: 'Amelia Peabody' series by Elizabeth Peters
Funny third-person alternate reality in literature and nursery rhymes: 'Thursday Next' and 'Nursery Crimes' series by Jasper Fforde
Funny historical romance: almost any title by Loretta Chase, especially 'Mr. Impossible'
Funny Young Adult: 'Alice' trilogy by Susan Juby
Funny Social Satire: early Wendy Holden

THERE YOU GO. AGREE? DISAGREE? PLAY ALONG?