Triplet Reviews: ANTHOLOGIES, Part 2

Hello and welcome to Part 2 to of the Anthology Triplet Review. For Part 1 ('Must Love Hellhounds' & 'Queen in Winter') please scroll down.

Moving on to the third antho in the bunch:


FOUR DUKES AND A DEVIL (Historical Romance, 2009)
Cover: Liked the small details that came together to make something more than the first impression of somewhat bland house at twilight suggested. The devil's tail in the title was nifty, the red color contrast with deep blue twilight eye-catching, the smoke in the sky kind of cool.

The Irish Duke, Cathy Maxwell
Premise: Spinster who makes her living advising ton families on matches warns against suitability of Irish dukes, and is taken to task by one such.
Writing Style: Did not appeal to this reader.
World: Didn't engage, therefore didn't care to make an effort to suspend disbelief.
Prediction: Probably wouldn't seek out more from this author.

Catch of the Century, Sophia Nash
Premise: Governess travelling with three young charges is stranded on the road; passing Duke acts as Good Samaritan.
Writing Style: Drew AW in.
World: This story was trundling nicely along, looking to be AW's favorite in the bunch, when disaster (readerly speaking) struck. WARNING! SPOILERS!
Hero and heroine are chugging away in their mutual but unacted-upon attraction, when she leaves the ducal manor to go in search of the boys who are exploring the grounds. The Duke happens upon her (quelle surprise) and agrees that it would be good to find them given that there is a lake nearby. Then the pair of them in effect say to themselves "But oh, wait, before we go check if they are busy drowning themselves, we have just enough time for our first nekkid encounter!" END SPOILER WARNING!
These are people the reader is supposed to relate to, sympathize with, root for? AW thinks not. Clearly the heroine is an abysmally bad governess, and he apparently believes in some version of "I'm a Duke, so above other people that I needn't concern myself the potential of contributing to three premature juvenile deaths by negligence since I did my duty earlier in not leaving a young lady by the side of the road." This little bit of 'What the hell???' made this book almost turn into a wallbanger right then and there, but that would have been unfair to the remaining authors whose stories were not yet read.
Prediction: AW is utterly conflicted about this. On the one hand, the egregious plot development. On the other, she had enjoyed the story up to that point. On a glass half full basis, AW would do a ten page test of another work.

Charmed by her Smile, Tracy Anne Warren
Premise: Debutante seeks the assistance of one man to manipulate another.
Writing Style: Didn't engage.
World: Wasn't drawn in, felt impatient both with the heroine's manipulativeness and the hero's being attracted to her.
Prediction: Will probably not seek this author out again.

The Duke Who Came to Dinner, Elaine Fox
Premise: Island resident and newcomer are brought together by canine antics.
Writing Style: Pleasant, easily readable.
World: Was refreshing to have a contemporary thrown in the mix (the Duke in question is a pet), and the story was sweet, but ultimately, not especially stand-outish enough to make AW rush off to her local bookstore to keep the reading experience going.
Prediction: There was enough here to warrant a ten-page test in a longer work to see if it compelled more.

Devil to Pay, Jeanine Frost
Premise: Loner vampire comes to the aid of a human trying to commit suicide to protect others from his actions when he is demonically possessed.
Writing Style: Flowed well enough.
World: Though the trouble the hero finds himself in was certainly compelling and roused sympathy, somehow, didn't quite believe in how fast the couple made a connection and didn't quite get drawn in to the story. As with the Singh story in MLH, this was a case of writing that was good but not good enough to surmount AW's aversion to vampire stories. Fans of this genre would probably like it a great deal more.
Prediction: Will probably not seek out more from this author unless she were to begin writing about another type of character.

TALLY
# of authors AW will definitely seek out based on these short stories,
(in brackets, # AW would give benefit of the doubt in form of a ten-page test of another book)

Must Love Hellhounds - 2 of 4 (plus 1)

Queen in Winter - 2 of 4 (plus 1)

Four Dukes and a Devil - 0 of 5 (plus 2)




Read an anthology lately that AW should try next?

m.

Non-Laughter Reviews: VICTORIAN MYSTERY

SILENT IN THE SANCTUARY
(Book 2, Lady Julia Grey series)
by Deanna Raybourn
Historical Mystery


Premise
Christmas house party is interrupted by murder; guests all seem to have secrets of their own.

Cover
Very pretty - mysterious, retro, and upper-class invoking, in blue tones to contast the previous volume's red.

What Works
How Apprentice Writer loves this series. Book 2 picks up where Book 1 (Silent in the Grave) left off, with the widowed and recently-almost-murdered heroine Lady Julia Grey recuperating with a long visit to Italy to spend time with two of her many brothers. The author's debut novel is widely quoted when the topic of excellent first lines come up, and the one here is no slouch either:

"Well, I suppose that settles it. Either we all go home to England for Christmas or we hurl ourselves into Lake Como to atone for our sins."

Back to England they go, taking the whirlwind-courtshipped Italian bride of one brother, an Italian count harboring feelings for Julia, and a high maintenance Italian hound for good measure (Julia has a talent for acquiring stray animals by accident) along and picking up a flamboyant sister on the way. Returned to the ancestral home - an enormous, ancient, deconsecrated abbey - they find a large and diverse party already gathered, including their imperious father the Earl, two impoverished distant cousins, a nouveau-riche manufacturer and his servant, a man of the church, an elderly aunt, and, certainly not least in Julia's eyes - the enigmatic and magnetically attractive Nicholas Brisbane, special inquiry agent. Who has brought his new fiancee.

Julia is shocked, both by the change in his status and choice of intended, a woman she repeatedly describes as unintelligent and uninteresting. In the vastly entertaining (to the reader) custom of British house parties, murder most foul soon rears its ugly head, and Julia and Brisbane are off once again - alternately sleuthing together, trying to outsmart one another, and sharing the occasional kiss, all while observing the customs and conventions of an aristocratic Victorian setting in which they are, of course, snowed in. A disappearance, spectacular jewel theft, and not one but two hauntings are thrown in for good measure. All tremendous fun, and the return of a Gypsy presence adds an extra layer deftly serving multiple purposes. The Roma characters, together with memorable servant characters, family members, and animal characters which are unique yet whose every mention serves a purpose beyond endless gushing pet love (AW is looking at you, Kristan Higgins) all seem to be Raybourn trademarks, and AW enjoyed it all immensely.

What Doesn't
AW had to think a little on this one. Finally, she came up with the following:
Julia has a TSTL moment straight from a teenage horror movie of doing the silliest possible thing when she suddenly realizes an identity - and goes, in the middle of the night, alone, and without telling anyone her suspicion - straight to the possible villain's room. Since she is roundly chastised by her father, Brisbane, and most of all herself, though, AW was able to live with this.

Then again, there was the moment AW questioned Brisbane and Julia's sleuthing procedure. Murder is committed (most foully! *heh*) but in response, bedrooms are only searched, and that even secretly. Except for questioning the person who partially confessed and whose story has huge holes, there is no one-by-one interview of all present to recount movements and alibis. And, shades of the wonderful movie 'Gosford Park', it doesn't occur to anyone even for a moment that any of the servants might be involved, either directly or as an accomplice. On both counts, Hercule Poirot would roll in his grave.

AW will admit the possibility that she has been unduly influened by previous Brit murder mysteries seen or read, and that despite absence of both noted points, the story unrolled well.

Overall
A delicious installment of the story begun in Book 1, with Julia's first person voice fitting the tale very well, her increasing determination to be her own person and achieve productive rather than merely decorative ends (as was the typical lot of an upper-class woman of the period) a joy to behold, and the very slowly developing relationship with Brisbane as delicious as ever. Bring on Book 3 (Silent on the Moor)!

The Fine Print
AW read this as part of the Reader In Peril Reading Challenge. She availed herself of a library copy.

Learn about the author here

Author Q & A: EVE SILVER

Multi-genre author Eve Silver graciously took the time to indulge Apprentice Writer's curiosity about all things authorial. Take a look:

The cover of SbaS is lovely. Did you choose the title and/or provide input on art?

Thank you, but I can't take any credit. My editor came up with the title and the cover arrived already complete. All I had left to do was frame a cover flat and hang it on the wall. *g*

That must be quite a nice collection of cover art by now!

My favorite scene in SbaS is when Gabriel takes Catherine up to his secret room in the tower. Such clear and touching proof of his transformation. Which was your favorite scene?

I have a tough time picking a favorite scene from Seduced by a Stranger, but I'll choose a memorable scene that evinces the hero's first tentative steps toward personal growth. In this scene, Gabriel - the tortured, emotionally stunted hero - experiences the urge to comfort Catherine. Her pain and heartbreak reach the cold core of his heart, warming him and breathing life into emotions he had never imagined he possessed. Against his nature, he is drawn to comfort her and he pauses, uncertain exactly what to offer her.

In the dark hallway, Gabriel stood outside Catherine's door. She was crying. The sounds were muffled, as though she struggled to suffocate them into silence. Something inside him shifted and turned, an unpleasant and wholly uncharacteristic instinct of chivalry that insisted he step inside and offer comfort of some sort.

He had no idea how.

What did one offer in the face of another's pain? Here was a lesson he had failed to learn...no...a lesson he had never been taught. In the place where he had grown from boy to young man, there had been only lessons in survival. Hide behind an emotionless mask. Evade. Lie. Show only what they expected. The level of his suffering had been determined by his abilityto guess exactly what they wished to see and hear. If he was right, they left him alone. If he was wrong, there were all manner of tortures and deprivation. He had striven to be right more often than wrong. The sound of Catherine's sobs confused him. He wanted to comfort her as much as he wanted to avoid the necessity of doing so.

Copyright 2009. Eve Silver. All Rights Reserved.

Agreed, that's a good one too. Very powerful, when someone simply walks away.

Nightstand Inspection! What was the last ____ you read?

I have a towering pile on my nightstand, but here are a few of the recent reads that were real stand-outs for me. (Of course, I could probably type and endless list, but I'll try and be brief.)

Contemporary: Start Me Up by Victoria Dahl

Historical: What Happens in London by Julia Quinn and an advance read of For Your Arms Only by Caroline Linden.

Paranormal/UF/Fantasy: Dreamfever by Karen Marie Moning and Amazon Ink by Lori Devoti.

Mystery/Suspense/Thriller: Burn by Linda Howard and The Neighbor by Lisa Gardner.

YA: Demon Princess: Reign or Shine by Michelle Rowen.

Apprentice Writer has a soft spot for Michelle Rowen's reliably funny voice, also.

Who is your writing idol and why?

I have quite a list of writers I admire, but I'll share a few here.
- Linda Howard because no matter what direction she takes, I end up loving her books; she's pure genius. I'm embarrassed to admit I turned into a squeeing fangirl when I met her.

- Mary Shelley because she dug the foundations of a genre. (And shout-outs to Sherrilyn Kenyon, Christine Feehan, Maggie Shayne, Linda Lael Miller, and others who were the early explorers of paranormal romance.)

- Karen Marie Moning because she is the queen of foreshadowing and her imagination is wonderful.

- Shana Abe because she is a wordsmith.

- Kelley Armstrong because she is a brilliant writer in every genre she tackles, and because she is a gracious and lovely person.

- Nora Roberts because she is oh so savvy.

- Marjorie M. Liu because she writes where her heart takes her.

- Gena Showalter because she has fabulous unique ideas and because she's dedicated.

- Lori Foster because all these years later I still remember reading my first Lori Foster love scene...the one with the guy, the girl, and the fridge.

- Christina Dodd because she's talented and wise and shares her wisdom (check out the Squawkradio blog).

- Teresa Medeiros because she's funny as can be on Twitter (go forth and follow her!) and because she's always been one of my fave historical authors.

- Daphne du Maurier because her writing just pulls me right in.

- Sarah Waters because every sentence she writes flows like a smooth river.

- Lisa Kleypas because I adore her books and because she had the guts to take her career in the direction she wanted it to go.

- Kathleen E. Woodiwiss because she was the first romance author I ever read.

- Christopher Moore because there's no voice out there even remotely like his.

- Lisa Gardner because she scares me. And because she is generous with her knowledge of writing (check out her website for tricks of the trade).

I could go on and on because there are many wonderful authors who bring so much to the table, but I suspect you don't want this blog post to run for 15 pages! ;-)

Great diversity of reasons. Love it that Christopher Moore made this list - reminds me of the children's song "One of These Things is Not Like the Others.." And now I won't be able to rest till I find out about the guy, the girl, and that fridge....

Best piece of advice for aspiring writers?

Finish the book. You can't sell the book if you don't write the book. Get those fingers flying on the keyboard every day, even if it's just for a few minutes. If you only write a sentence or two, you're still a sentence or two closer to typing 'The End'. Polishing can come once the entire story is complete. Rewriting the first chapter over and over again won't get the story told - it will only get you a beautifully polished first chapter. So finish your story...the whole story. Then move on and tell the next story, and the next. Don't get hung up on a single chapter or a single manuscript. If writing is your dream, if stories whisper to you in the darkest hours of the night or while you're cooking dinner or walking the dog in the bright light of day, then tell your story, all the way to the end.

To sum up that advice: butt in chair, hands on keyboard.

*whistling oh-so-casually* *nudging uber-polished first chapters out of sight*

Anything else you'd like to share with Apprentice Writer's readers?
Thanks for having me, Maya, and thanks to the readers for reading! For excerpts, info, contests and more, please visit my website at http://www.evesilver.net.

And there you have it. Wise words from a prolific, multi-faceted author. Upcoming on the horizon is OTHERKIN, a 'dark, gritty paranormal trilogy' to be released in 2010. Thank you, Ms. Silver, sharing your insights and the perfect gothic candidate for the RIP challenge.

Non-Laughter Reviews: GOTHIC

Seduced by a Stranger
Eve Silver
Romantic Suspense


Premise:
Woman with haunted past travels to forlorn abbey in support of ailing childhood friend and is unsettled by enigmatic host.

Cover:
Pretty colors with interesting lighting, in a welcome change from all too-frequent nekkid manchests it is the lady's back which is exposed. Title indistinctive, though with some mental gymnastics ("Do we ever really know the person we're with?") can be seen as applicable to content.

What Works
Apprentice Writer read this book for three reasons: As a classic gothic-type tale, it fit beautifully with criteria for the RIP reading challenge (see sidebar button); curiosity about the author's historical voice after enjoying her speculative fiction voice in 'Driven' (written as Eve Kenin); and the good fortune to have won a copy through a Goodreads early readers lottery.

She was not disappointed.

The restless mood of dread the author creates with the first scene permeates the whole story, with the reader ready to see malevolence lurking in every detail and villains foreshadowed with every new character. The historical voice was kept pitch perfect throughout, with not a single occasion of words, behaviours or setting details feeling out of place or time (not that Apprentice Writer is a great expert in judging these matters, but the thrown-out-of-the-story effect happens all too often even for historical laypeople). The story has every ingredient a Gothic-lover could want: secrets on all sides, mystery illness, whispers of poison, murder, secret passages, cemetary with mystery resident, alternate identities, gloomy manor with even more gloomy lake set on a languishing estate, and many a flickering candle.

The heart of the story explores the question of how two people who have survived past emotional damage by erecting walls around themselves can create a bridge to one another. Whether they will or not isn't a true question, given the genre; it's how they do so that is of interest. The backstory of the hero, when it finally is fed in, was of such a level of suspense and empathy for the character that it had to be read all of a piece, pages flying to find out what happened, breathless all the while. To avoid spoilerisms, suffice it to say that for the modern reader some details may seem utterly incredulous but are in all likelihood too terribly historically accurate.

The big climactic crisis scene had an especially pleasing ending, in terms of the two last statements the heroine makes to the hero right before the epilogue. They were delicious, one of AW's favorite parts of the whole story, and the Gentle Reader can take a guess in which direction they went through knowledge that among Disney princesses, AW loves Mulan best while Cinderella goes on her last nerve.


What Doesn't
In terms of the suspense part of the tale, AW was neatly led astray by a red herring, and didn't guess the full answer to the puzzle until quite close to the end. The final explanation of how things occured generally left this reader satisfied, with one exception which can't be detailed so as not to spoil it. Let's say it had to do with logistics, time frame, and staying true-to-character of the person involved. Perhaps there is a simple explanation for apparent conflict; AW hopes to put the question to the author directly.

The second area where AW would have liked a bit more detail had to do with a main character's reaction to learning of the extent of the villain's deeds and subsequent demise. The build-up to that moment was years and oodles of the strongest emotion possible in the making. The reaction to all that resolution felt gratingly brief, artificial, and understated. Perhaps a victim of tight word-count?

And those two minor instances were the sum total. So, altogether, very little to step on the reader's suspension-of-disbelief toes.


Overall
A satisfying tale of chills, emotion, physical and emotional survival, and the power of love.

BUT WAIT - THERE'S MORE!
The author graciously agreed to answer a few questions despite a looming deadline. Come back tomorrow to get a glimpse into the mind of a (sometimes) gothic author.